张爱玲作品中的苍凉美学基调.docVIP

试论张爱玲作品中的苍凉美学基调 -----以《半生缘》、《倾城之恋》、《金锁记》为例摘要 在现代文学史上，张爱玲是一位极富传奇色彩的女作家。20世纪40年代，以《流言》、《传奇》两部作品集在名流荟萃的大上海引起轰动。她把自己的小说集命名为《传奇》，在我们看来她的身世本身也是一部苍凉凄婉的传奇。她的传奇是悲剧性的传奇，主要表现为张爱玲的作品几乎都是悲剧，但她笔下的悲剧不是简单的悲壮而是苍凉，苍凉作为一种基本腔调、主题旋律笼罩着张爱玲笔下的每一个人物，每一篇故事。 她的“苍凉美”的创作风格，在现代文学史上具有举足轻重的地位，在人们心中具有不可磨灭的印象，它具有独创性和传承性。在张爱玲作品宏大、高远和深邃的内涵中，体现出作者对人生的关注及其对女性的关注，也体现出作者对女性的这种宿命式的悲剧命运的同情。这些既反映了现实又超越了时空，将启示意义和审美价值发展的更加深刻和广泛。张爱玲以女性细腻的笔触写出了世间的华丽与苍凉、繁华与落寞, 无不体现出一种苍凉美学的韵味。这篇论文就主要以《半生缘》、《金锁记》、《倾城之恋》为例，浅析张爱玲作品中的苍凉美。 【关键词】 ： 张爱玲 苍凉美 悲情色彩 【论文类型】：理论研究Title: Analyses of Zhang Aiilings Works Desolate Aesthetic Fundamental Key ----- To Eighteen Springs, Fallen City, Golden Lock as an Example Major: Chinese Language and Literature Name: Liang Hui Signature: Supervisor:Song Hai Ting Signature: ABSTRACT In the modern literature history, zhang ai-ling is a writer of legendary color. In the 1940 s, with gossip, the legend two anthology in the area of Shanghai celebrity big caused a sensation. She put her own stories named the legend, in our view her story itself is a desolate sad legend. Her legend is tragic legend, main show is zhang ai-lings works is almost a tragedy, but shes tragedy is not a simple but solemn and stirring desolate, and desolate as a basic accent, enveloping the theme tune zhang ailings every person, every story. Her full of beauty writing style, in the modern literature history, has the important status in peoples hearts with indelible impression, it has originality and heredity. Zhangs works in the grand, high and deep connotation, which reflects the author of the life and the attention of female attention, also reflects the author this destiny for women in the tragic fate of the type of sympathy. These not only reflect the reality and beyond the time and space, and will apocalypse meaning and aesthetic value of the development is more profound and extensive. Zhang ailing with the female of the fine brush to write the world luxuriant with ful