论岩井俊二对日本青春电影的继承和发展.docVIP

四川师范大学本科毕业论文 论岩井俊二对日本青春电影的继承和发展 学生姓名 易平 院系名称 电影电视学院 专业名称 导演 班 级 2006级导演3班 学 号 2006350510 指导教师 肖峰 　四川师范大学教务处 二○一○年五月 　 论岩井俊二对日本青春电影的继承和发展 本科生：易平 指导老师：肖峰 内容摘要：本人通过对岩井俊二的青春电影和日本早期青春电影的观摩与学习，以及对日本电影艺术理论知识的学习和探讨，从日本电影的具体表现着手，以日本青春电影的总体特征为切入点，总结出岩井俊二的青春电影对日本青春电影的继承和发展。 日本电影发展至今已有百余年历史，而日本青春电影自诞生以来，发展已有半个世纪，也诞生了多部极具代表性的电影作品。 日本青春电影总体特征呈现出两方面：自然的写实主义与叛逆的表现主义。岩井俊二的青春电影在人物形象塑造、视觉形式制造以及主题意义推演这三个方面都继承了这两大特征。并且在他的多部作品中，人物形象的多元化、剧本创作的时空错位感及视听语言的唯美性这三大特质均有体现，是日本青春电影的进一步发展。 关键词：日本 青春 岩井俊二 写实与表现 Discussion on the Inheritance and Development of Shunji Iwai towards Japanese Youth Films Abstract:Start from the specific representation of Japanese films and the general features of Japanese youth films, this essay concludes the inheritance and development of Shunji Iwai’s films on the base of Japanese youth films according to the auther’s study on this type of Japanese movies in early phase as well as the investigation in the Japanese film art theory. It has been several hundred years so far in the history of Japanese film’s development. Since the advent of Japanese youth film, it is already half a century with the emergence of many representative film works. There are two aspects reflected from the general features in Japanese youth film: natural realism and traitorous expressionism. Shunji Iwai’s youth films succeeded from the features on three facets: characterization, visual form manufacturing and the deducibility of thematic meaning. It is also a further development in Japanese youth film in many of his works, with three idiosyncrasies represented as character diversity, the sense of space-time dislocation in script writing and aesthetes in the visual language. Key Words: Japan youth Shunji Iwai realism and expressionism 目录 引 言…………………………………………………………………………1 一、日本青春电影概述…………………………………………………………1 （一）青春与青春电影的定义…………………………………………………1 （二）产生的时代背景及作品…………………………………………………1 （三）总体特征表现……………………………………………………………2 1、写实的自然主义………………………………………………………2 2、叛逆的表现主义………………………………………………………2