笔法记乞荆浩画-荆浩论坛JingHaoForum.PDF

從荊浩山水畫『春山帰騎圖』析論看《筆法記》 《乞荊浩畫》 謝文檳 研究工作人員 摘要 ： 研究山水畫的學者 ，皆知唐末、五代後梁的山水畫家荊浩，就是北方畫派水墨山 水畫之開山祖師；對於這位在中國山水畫史貢獻巨大的大師，記載荊浩的古代文 獻，又甚為稀少，荊浩隱居作畫之太行洪谷，到底位於何處，自北宋以來，說法 不一，即使資訊蓬勃，撿索資料無遠弗屆的現代，仍無定論。本文將將藉由賞析 一幅有荊浩款識的水暈墨章山水畫『春山帰騎圖』，展開探索之旅 ，從畫紙、裱 褙揭露相關特性、再進一步從荊浩著錄《畫山水賦》、《筆法記》及 《五代名畫補 遺》中所述的《乞荊浩畫》《畫山水畫答大愚》兩首詩、google 衛星空照圖等， 與『春山帰騎圖』做呈現比對，本文也嘗試探索此畫的流傳。『春山帰騎圖』析 論後，此山水畫的寫實地點，《筆法記》中太行洪谷的位置 、石鼓岩、神鉦山、 大岩扉、等景點 ，還有古松讚所描述的古松、 『乞荊浩畫』這首詩的年代，所求 的山水畫等也一起在文中被發現 。 ABSTRACT ： Jing Hao, a Chinese mountain-and-river (shan shui) painter and theorist of Five Dynasties and Ten Kingdoms period. As an artist, he had great contributions to Chinese landscape paintings. He created the Northern Landscape painting style and strongly influenced the tradition of Northern Song painters. In his writing, A Note on the Art of the Brush (called Bi Fa Ji), he proposed an painting technique of allowing the heart to follow after the brush . As Jing Hao was undoubtedly one of the most important founding figures of mountain-and-river paintings. However, there were few literatures describing this master’s lifetime. Where he came from and where he lived? It is a question mark in history.In this paper, we discover the Jing Hao’s lifetime by recognizing an uncertified/unknown painting with signing name of Jing Hao. And we verify the truthiness of the painting according several steps. First, we study the truthiness of the painting by recognizing kind of paper, backing, and painting skill. Second, we find out the relationships of Jing Hao’s writing and the painting. Final, we verify the truthiness of signing name and seals on the painting. And we find out the painting is highly possible made by Jing Hao in A.D. 921. 引言 五代山水畫家荊浩，就是北方畫派水墨山水畫之開山祖師。對於這位在中國 山水畫史貢獻巨大的大師，記載荊浩的古代文獻，又甚為稀少，荊浩隱居作畫之 太行洪谷，到底位於何處，其里籍又在何方，自北宋以來，說法不一，至今仍成 為一個千年懸案，其他如: 《筆法記》中描述的荊浩隱居地及其他幾個重要景點 在那 ，《五代名畫補遺》中大愚的 『乞荊浩