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后现代主义及其相关音乐(Postmodernism and its related music)
后现代主义及其相关音乐(Postmodernism and its related music)
Postmodernism and its related music
I. interpretation of the concept of post-modern (1) from 30s to 50s, the concept appears, but it is not clear. By Meckel. Kohlers back, the concept of the earliest postmodernism F.D. Aonizi (Postmodernismo, 1934), followed by the modern D. fizz (Post-Modem, 1942), after the modern A. Toynbee (Post-Modem, 1947), and Charles. Olsen used this word frequently between 1950 and 1958. However, the concepts of these new nouns are unclear and are not clearly defined. (2) from 1959 to the middle of 60s, referring to the anti culture in the United states. Erwin. Harry howe. Levin believes that postmodernism is the decline of modernism in the United States in the 50s, and it is a anti intellectual trend of thought (antiinte-llectualcurrent). Leslie. Federer and Susan. Sontag believes that the anti culture in the 60s greatly tended to the popularization of art, namely, breaking with the elite culture. (3) in the late 60s, a more radical intellectual revolt against modernism. Richard. Olsen holds that postmodernism is a strong suspicion of philosophical ontology and a rebellion against the presupposition of modernism. It denies unity and advocates contingency. (4) from 1972 to 1976, existential postmodernism. William. The source, with Heidegger and Kerr Kay Gol Banos of existential philosophy of postmodernism, postmodern thought is committed to the authenticity, aims to reveal the history and history of the accidental effect of discourse interpretation theory. (5) from the late 70s to the 80s, towards a comprehensive and inclusive post modernism. Such as ihab. Hassans uncertainty and immanence -- Liotta Des anti yuan narrative, Mei moss. Kari Ness Cus new (Postmodern) pluralism and so on. Although the conference mainly examines postmodernism from a literary perspective, it tries to deal with the whole post modernist phenomenon and therefore has important reference value.
In connection with the ot
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