古筝的音乐声学特征与应用.pdfVIP

摘 要 论文着力研究音乐声学在古筝演奏中的学术意义，深入挖掘古筝音色的实际张力 和技巧应用，在中国音乐学对其已有的研究基础之上，并以中国音乐学院韩宝强教授 个人宏观音乐声学理论著作《音的历程 — 现代音乐声学导论》和古代音乐理论《弦 索十三套》等等作为探讨中心，就如何充分发挥音色在古筝演奏中的表现力进行了研 究。本文根据音乐声学的原理，从古筝基本音色和变化音色的不同，详细分析了古筝 音色的构成，同时具体阐述了主客观方面影响古筝音色的几大要素。并通过几大要素 对古筝音色的不同影响效果，进而在古筝形制、演奏技法、个人修养等方面具体论证 如何在古筝演奏中获得理想音色的实际解决办法，然后结合对作品实例的演绎作进一 步探讨，从而对音乐创作和古筝作品的创新产生积极的现实意义。 关键词 ：发声原理 筝曲 声学特征 音色 古筝音乐声学 音乐意境 共鸣 i 万方数据 Abstract The paper focuses on the research of the academic significance of musical acoustics in guzheng performance, and digs deep into the actual tension of guzheng’s timbre and the application. Based on the existing study of Musicology on guzheng in China, it probes into Professor of China College of Music--Han Baoqiang’s personal macro musical acoustics theory works In Course Of Tone and Ancient music theory 13 Sets of Xian Suo and so on. Research on how to give full play of Tone’s expression in guzheng performance is conducted. This paper is based on the principle of musical acoustics, and from the differences between the basic tone and changing tone and make analysis of the composition of guzheng’s timbre in detail. Several main factors of subjective and objective aspects which influence Guzheng’s timbre are discussed too. through different influences of those major factors on Guzheng’s timbre. It expounds how to obtain practical solutions to obtain ideal tone, which is from Guzheng’s form, performance technique and personal accomplishment when Guzheng is performed and then it makes further discussion combining with Portfolio illation which will have a positive practical significance on the innovation of music creation and of Guzheng works. Keywords