JD塞林格麦田里的守望者的作者_彭萍.pdfVIP

剪影 寰球人物 · J.D. 塞林格： 《麦田里的守望者》的作者 J. D. Salinger : Author of The Catcher in the Rye After receiving *critical acclaim1 for his short story A 1948 年在《纽约客》上发表的短篇小说 Perfect Day for Bananafish, which was published in The New 《逮香蕉鱼的最佳日子》为塞林格赢得了评 Yorker in 1948, J. D. Salinger *shot to worldwide fame2 with 论界的赞誉，而1951 年出版的长篇小说《麦 his novel The Catcher in the Rye, which appeared in 1951. 田里的守望者》则使他在全世界一举成名。书 3 4 中反正统形象的主人公是一位理想幻灭的小 With its disenchanted adolescent anti-hero , perpetually *at war with5 adulthood, especially as embodied in his own 青年，总是与成人世界格格不入，尤其体现在 parents, it seemed to encapsulate6 the mood of an entire 与自己父母的关系上。小说似乎是对整个一 generation. Perhaps more remarkably it simultaneously 代人精神状态的概括。也许更值得关注的是， exercised a considerable effect on that generations behaviour. 小说对那一代人的行为也产生了深远影响。 Its protagonist7 Holden Caulfield instantly became the 《麦田里的守望者》一书的主人公霍尔 symbol of teenage alienation8 in America and his influence 顿·考菲尔德当即成为为美国社会所不容的 spread rapidly across the Atlantic. Not merely, as is so often 青少年的象征，其影响也迅速穿越大西洋四 the case, for his own generation, but for those that followed, 处蔓延。不仅如此，正如通常所见，这一主人 the character of Caulfield continued to stand for the seeming 公不但影响了自己同时代的人，对其后的几 impossibility for the younger generation of communicating in 代人来说，考菲尔德的个性依然代表着一种 any meaningful way not only with their parents but also with 表面看来不可能的事，即年轻一代不可能以 the friends and associates of those parents. When the Sixties 任何有意义的方式与其父母以及父母的朋 opened, with teenage rebellion in Western society taking on a 友、同事等进行交流。20 世纪60 年代开始， different hue9 and, under the influence of rocknroll, sexual 西方社会青少年的反叛形式有所不同，在摇 emancipation10 and drugs, having apparen