Photoshop经典磨皮法美化人物面庞(国外英文资料).docVIP

Photoshop经典磨皮法美化人物面庞(国外英文资料).doc

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Photoshop经典磨皮法美化人物面庞(国外英文资料)

Photoshop经典磨皮法美化人物面容 Photoshop classic polishes to beautify faces For a long time, people have been concerned about the beauty techniques of peoples photographs, and, based on my years of experience, I have prepared a set of cases for the readers here. The examples include the grind technique that you always care about, and also the facials and makeup techniques. Final result Before you start the example, you can download the supporting material for the instance and follow the steps. (1) execute file to open command and open source background and beauty. PSD file, as shown in figure 1-1. FIG. 1-1 (2) use the lasso tool to create a selection in the persons skin image, as shown in figure 1-2, 1-3. Figure 1-2 Figure 1-3 (3) copies of the image, and then the execution filter - fuzzy - gaussian blur, to be blurred the constituency image, as shown in figure 1-4. Figure 1-4 (4) add layer mask to layer 1 on the layer palette and edit the mask of the face and the eyes. This is shown in figure 1-5. Figure 1-5 (5) follows the above method and continues to use the brush tool to show the image, as shown in figure 1-6. Figure 1-6 (6) select sharpen tools and sharpen the eyes of the characters On the layer palette, layer 1 is added to the layer mask and edited for the mask of the face and the eyes. This is shown in figure 1-5. Figure 1-5 (5) use the brush tool to show the image, as shown in figure 1-6. Figure 1-6 (6) choose sharpen tools, sharpen the eyes of the characters, and make your eyes look more look, as shown in figure 1-7. Figure 1-7 (8) set foreground to white, use brush tool, and draw the highlights of the character, as shown in figure 1-8. Figure 1-8 - Tip: adjust the opacity and size of the brush when drawing the highlights. (9) keep the selection of the brush and set up the options bar, as shown in figure 1-9. Figure 1-9 (9) use the pen tool, draw the path in the corresponding position in the view, and stroke it for it, as shown in figure 1-10, 1-11. Figure 1-10 Fi

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