中国民歌文化的地域特征及其地理基础中国民歌文化的地域特征及其地理基础.pdfVIP

人文地理 2005 年第 2 期 总第 82 期 文章编号!’(!’)*!##!(**(# 中国民歌文化的地域特征及其地理基础 吴永生 4!冯健 3!张小林 4 !!南京师范大学地理科学学院南京 #!$$% # #北京大学城市与区域规划系北京 !’’(!$ !# $#%’()* +)$)+!#$,!+, )(- %#’%$).+)* /),, ’0 !# +1*!1$# ’0 +(#,# 0’*2 ,’(% W U Y ong-sheng1!FEN G Jian2!ZH A N G X iao-lin1 ! !)*++,-, *. /,*-0123451+ 654,75,8 917:47- 9*0;1+ 74=,04?@8 917:47- #!’’% !)3471# #AB,210?;,7? *. 0C17 17D E,-4*71+ F+17747-8F,G47- 74=,04?@8H,4:47- !’’(!!)3471$ C hina has a vastterritory,and as a result,the regionalhum an and naturalenvironm ents are com plex and differ from each other. There exist different styles of folk songs in different regions because of the difference ofterrain and clim ate. Therefore itis ofgreatsignificance to investigate the relationship betw een C hinese folk song and environm ent,to divide the areas ofthe culture ofC hinese folk song,and to indicate the characteristicsofregionalfolk song in C hina. Firstofall, based on review ofsom e studies on folk song from the view pointofgeography, using the m ethod ofC ulture G eography, this papernotonly points outthe historicalbasis in the developm entofC hi- nese folk songs culturalareas,butalso discusses som e integrated m odels ofthe culture offolk song.The au- thors point out that the thoughts of C hinese folk songs geographical subarea existed ever since Em peror H uangs era.Then,on the basis ofsom e thoughts ofdivision in folk songs culturalareas,the authors divide C hinese folk songs cultural areas into seven districts, including the style of w atery region represented by Jiangnan D itty, the bold and unconstrained style represented by northern w ork song, the style ofnorthw est high plateau represented by X intianyou and H uaer, the style of southw esthig