抗战戏剧文化与民族精神的建构.docVIP

抗战戏剧文化与民族精神的建构 2012-2013重庆大学本科学生学年论文 学生姓名：唐娅娟 指导老师：敖依昌 学 院：新闻学院 专　　业：汉语言文学 学 号中国·重庆　重庆大学新闻学院 二〇一三年六月 Study on culture of Anti-Japanese War Drama and construction of national spirit Academic Papers (Thesis) of Chongqing University Undergraduate: Tang YaJuan Supervisor: Ao Yichang College: School of Journalism Major: Chinese Student ID:School of Journalism of Chongqing University, Chongqing, China June, 2013 摘 要 抗日战争的爆发，使中国社会发生了巨变，这种变化也体现在文艺作品上。这一时期的文艺作品都是围绕抗战展开的，自觉或不自觉起着宣传抗战救国，团结民众，增强民族自信心的作用，其中戏剧这一文艺形式在其自身的优势和有利的社会条件下，蓬勃的发展、繁荣起来，它对现代民族精神的构建也起着重要的作用。战争把中国分为三个政治区域，国统区、解放区和沦陷区，每一个区域戏剧都适应当地的社会政治环境，求得了生存与发展，国统区的抗战救国，解放区的从民族到民主，沦陷区在沦陷中寻求民族性，都通过戏剧传达出来，并为大众所接受。 关键词：抗战戏剧、民族精神、国统区、解放区、沦陷区 Abstract With the outbreak of Anti-Japanese War, great social changes took place in China, which were found in the literary and artistic works as well. The works were created about Anti-Japanese War at that time, playing the role in propagating war of resistance to save the nation, unifying the masses and cultivating national self-confidence. Among them, drama, as a form of art and literature, experienced vigorous development under the condition of its own advantage and favorable social circumstance and made a big difference to the construction of national spirit. China was divided into three parts, kmt-ruled area, liberated area and occupied area, where drama obtained survival and development by adapting to the local social political environments. Drama-communicating meaning varied in different regions, with resistance against aggression and saving the nation in kmt-ruled area, from nationalism to democracy in liberated area and seeking nationality in occupied area, which were accepted by the public. Key Words：Anti-Japanese War Drama national spirit kmt-ruled area liberated area occupied area 目录 摘 要 III Abstract IV 目录 V 一、绪论 1 二、时代环境的概述 3 三、抗战戏剧与不同区域民族精神的建构 5 （一）抗战建国大后方的国统区抗战戏剧 5 1、街头剧 6 2、剧院演出与战地演剧 7 3、国民政府对抗战戏剧的推动 9 （二） 从民族到民主的解放区抗战戏剧 10 1