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21篇模板——（1）文学类 题目序号 题型归类 第1题 中心主旨题型 第2题 审题定位与反推题型 第3题 全文归纳推导题型 第4题 写作手法题型 第5题 例（举）证题型 Roger Rosenblatt’s book Black Fiction, in attempting to apply literary文学 rather than sociopolitical政治 criteria to its subject主题, successfully alters the approach taken by most previous studies. As Rosenblatt notes, criticism of Black writing has often served as a pretext for expounding on解释 Black history. Addison Gayle’s recent work, for example, judges the value of Black fiction by overtly political 政治standards, rating评估 each work according to the notions of Black identity which it propounds. Although fiction assuredly springs from 来自于political circumstances, its authors react to those circumstances in ways other than除了 ideological, and（主语 talking about novels and stories primarily as instruments 手段of ideology意识形态（政治 ））circumvents much of the fictional enterprise成就. Rosenblatt’s literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignored. 主语（Writing acceptable criticism评论 of Black fiction）, however, presupposes宾语（ giving satisfactory answers to a number of questions）. First of all, is there a sufficient reason, other than the facial identity of the authors, to group together works by Black authors? Second, how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable, coherent literary tradition. Looking at novels written by Black over the last eighty years, he discovers recurring concerns and designs independent of chronology. These structures are thematic, and they spring, not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly white culture, whether they try to conform to that culture or rebel against it. Black Fiction does leave强调句 some aesthetic questions open. Rosenblatt’s thematic analysis