王家卫电影的视听语言.docVIP

英 文 原 文 及 翻 译 学 院：人文社会科学学院 专 业：广播电视编导 姓 名：闫谨 学 号：1107080313 完成时间：2012年4月13日 二〇一二年四月 Wong kar-wai film of audio-visual language analytical Wong is undoubtedly since the late 80 s Hong Kong and Chinese film and TVs most successful one of the director, wong kar-wai film of audio-visual vocabulary always give a person to expectations and accident, thus to bring sense of view shadow meet. This paper tries to interpret the wong kar-wai film audio-visual strategies to step into the market for the continent has to provide a reference for the film. Star: cant resist the temptation Wongs film are all enable big star, in wongs recuperation, star can reveal more the repressed, be ignored, or wont be expected charm. As for the renovation of the cheung wong kar-wai, completely avoid the vase pretty girl star paradigm, but she Lin design, mong kok, Carmen blunt wear a face mask mask of the disease in the country big sister Fu teddy boy rushed jade days saying nothing at the bottom of the survival of the shop girl, they are all as a waiting for, and the choice is the object of neglected, east evil west poison neglected at home in the eldest sister-in-law, in the mood for love pattern in the beautiful Chinese dress package Jane is no exception. Maggie cheung image is the past superiority and adornment to feel completely disappear in here the role of life was born, star may have a potential be mining ? Wong kar-wai, and now and then to star in a special kind of packing and reconstituted, the most typical example is known as the Oriental beauty, said the Lin qingxia in the chongqing forest in recognition: blond, sunglasses and a raincoat package tired of female poison Niao, the modelling of weird but received the intent of the different effect. A similar role image and the teddy boy of days of Andy lau, degenerate angel in LiJiaXin as killer agent and takeshi kaneshiro plays dumb. These types of abuse in movie conventions in the mold of all those beautiful suddenly in thi