多元文化语境下文学和电影整合——村上春树和王家卫比较论-毕业论文.docVIP

摘  要 近年来，随着经济、科学技术、信息等发展进程的加快，“全球化”趋势越来越 为各学科的专家学者所关注。而在向着“全球化”整合的过程之中，“多元文化”之 间的互动成为一个复杂又不可忽视的现象。日本作家村上春树和香港导演王家卫同 样都是“多元文化”的代表人物。虽然二人分处文学和电影两个不同的艺术领域、 分属日本和中国两个不同的国家和民族，但其作品中都不约而同的融合了消费符号、 酒吧、音乐等多种元素，创造出了一种斑驳的、消费气息浓郁的后现代氛围。这种 后现代气息在二人作品中体现出一种相似性的同时却又在许多方面具有差异性。 这种同质性中体现出来的异质性特征对于分析不同艺术样式在不同民族文化、 不同文学背景之下的碰撞和融合是一个很好的范本。本文尝试从文化对文学和电影 的整合，文学与电影之间的互动两个大的方面，对村上春树和王家卫二人作品的异 同进行比较分析，并通过比较来浅析“多元文化”语境下文学与电影的 “整合”现 象。最后，通过对这种整合过程的透视，找到一个恰当的视点来理解“多元化”和 “一体化”之间的辩证关系。 关键词：多元文化；后现代；文化语境；全球一体化；镜头美学；心理空间 I Abstract In recent years, as the economy, science, technology and information make great progress, more and more academic experts and scholars are concerning the growing trend of globalization. In the process of globalization, we can not ignore the complex multi- culture phenomenon. Japanese writer Haruki Murakami and the Hong Kong director Wong Kar-wai are the representatives of the multi-culture. Although the two belong to two different artistic fields and two different countries, their works are consistent in the integration of consumer symbols, bars, music and other elements to create a mottled, rich Consumer atmosphere in the society of post-modernism. This post-modernism flavor reflects the similarities in which exist differences. It is a good sample that such homogeneity reflects the heterogeneous nature for the analysis of different art forms in different cultures, and different countries literary background of the collision and fusion. This paper compares and analyzes the literary culture on the integration of film, literature and film the interaction between the two broad areas, through comparison of multi-culture context of the literary and film integration phenomenon. Finally, this process of integration perspective, find an appropriate perspective to understand diversity and integration between the dialectical relationships. Key words : Cultural diversity;  Post-modernism;  Cultural Context; Globalization;  Scene aesthetics; II  Mental Space 独创性声明 本人声明