【论文】电视纪录片《有轨电车》的设计与实践.docVIP

摘 要 纪录片是以真实生活为创作素材，以真人真事为表现对象，并对其进行艺术的加工与展现的，以展现真实为本质，并用真实引发人们思考的电影或电视艺术形式。纪录片的核心为真实。电影的诞生始于纪录片的创作。1895年法国路易·卢米埃尔拍摄的《工厂的大门》、《火车进站》等实验性的电影，都属于纪录片的性质。1923年弗拉哈迪的的公映，标志着纪录电影在艺术创作上进入了一个新的发展阶段。Abstract The documentary is based on real life creation, based on a true story as the object, and carries on the artistic processing and display to show the true, nature, and the true causes people to think of the movie or television art form. The documentary is the core of truth. The birth of film in the documentary film creation. In 1895 the French Louis Lumiere filmed the gate of the factory, train station and other experimental films, all belong to the documentary nature. In 1923Fra Hadis Nanuk of the north the release of the documentary film, marks in art creation has entered a new stage of development. The graduation design works of The Tram, is a typical documentary, the main theme selection of Changchun City Tram No.54. Tram 54 has 120 years of history, it is the Changchun first bus, it witnessed the rise and fall of Changchun, accompanied by the growth, witnessed the history of Changchun. In the 54Road Tram working person, is the social most ordinary people. They unite, warm, with all her love to the ordinary work struggle. They really love this job, sincerely care about each and every passenger, their enthusiasm with every a No. 54tram running in spring city, become the most beautiful scenery line in Changchun city. I used the camera to record their enthusiasm, sincere, and in ordinary jobs make extraordinary contributions. The TV drama the 54 road theme design, script writing, pre-to post-production shooting practice all of the content in detail. Keywords: The documentary; Real; The Tram; Ordinary 目 录 第1章 电视纪录片《有轨电车》的选题设计 1 1.1 选题背景 1 1.2 选题意义 3 第2章 电视纪录片《有轨电车》的前期创作 3 2.1 纪录片的阐释 3 2.2 长春有轨电车简介 4 2.3 导演阐述 4 2.3.1 主题思想 5 2.3.2影片基调 5 2.3.3 演员分析 5 2.4 创作剧本 6 2.5 分镜头剧本 7 2.5.1 分镜头脚本的概念及作用 7 2.5.2分镜头脚本的创作 7 第3章 电视纪录片《有轨电车》的中期拍摄 9 3.1 拍摄计划 9 3.2 拍摄工作的可行性分析 9 3.3 实际拍摄 10 第4章